Caridad Bravo Adams created the narrative structures that defined the ‘telenovela’ format. Born in Tabasco, Mexico (1906), she moved to Cuba in the 1930s, where she became one of the most successful writers of radio plays, including the very famous ‘La novela del aire’. Her scripts were adapted into films in the 1950s, starring iconic actors from the Spanish-speaking cinema. After the revolution, she returned to Mexico, where her stories were versioned for the small screen, cementing the popularity of the daily telenovela.
Many of her scripts were structured around a revenge plan–the main character has been dispossessed, and must recover their status and fortune–there are frequent connections with ‘The Count of Montecristo’ and other stories of vengeance. Juan del diablo, the protagonist of ‘Corazón Salvaje’ would provide the pattern for a new kind of hero–one that would easily connect with the longing for justice of the popular classes.