As it was in the case of radio programming, television schedules responded to the structure of people’s daily lives. Since the drama programs were targeted primordially to women, the novelas’ schedule was organized around the work day. In Mexico, for instance, the ‘telenovela’ slots were conveniently programmed in the late morning or early afternoon–sort of a break for women who worked at home–in addition to early evening drama shows.
The most significant development would be the evolution of telenovelas as a ‘prime-time’ format. By the late 1950s, in countries like Venezuela, they were already exhibited for the largest audiences, as late as 8 or 9 pm. The ‘horário nobre’ [‘noble’ time] as it is called in Brazil, would be devoted to telenovelas–a well deserved time to relax for an ever increasing urban population.